Robert HenkeDE
Robert Henke is a composer, artist and software developer, mainly known for his contributions to electronic music and for his laser works. His audiovisual installations are based on self-written software and explore a fragile balance between determination and chance operations in order to create complex behaviours and endless variations in expression. His musical work oscillates between ambient, contemporary music and club. His long term project Monolake became one of the key icons of a new electronic club culture emerging in Berlin after the fall of the Wall. He is one of the main creators of Ableton Live, a software which became the standard for music production and completely redefined the performance of electronic music. He writes and lectures about the creative use of computers and held teaching positions at CCRMA/Stanford University, at IRCAM, and the Studio National des Arts Contemporains - Le Fresnoy, in Lille, France.
His works have been presented at Tate Modern in London, Centre Pompidou in Paris, Palazzo delle Esposizioni in Rome, Le Lieu Unique in Nantes, PS-1 in New York, MUDAM in Luxembourg, MAK in Vienna, Palazzo Grassi in Venice, Art Gallery of New South Wales in Australia, KW Institute for Contemporary Art in Berlin, STRP Biennale in Eindhoven, and on countless festivals including Unsound, CTM, MUTEK, Sonar and New Forms Festival.
Robert Henke is a composer, artist and software developer, mainly known for his contributions to electronic music and for his laser works. His audiovisual installations are based on self-written software and explore a fragile balance between determination and chance operations in order to create complex behaviours and endless variations in expression. His musical work oscillates between ambient, contemporary music and club. His long term project Monolake became one of the key icons of a new electronic club culture emerging in Berlin after the fall of the Wall. He is one of the main creators of Ableton Live, a software which became the standard for music production and completely redefined the performance of electronic music. He writes and lectures about the creative use of computers and held teaching positions at CCRMA/Stanford University, at IRCAM, and the Studio National des Arts Contemporains - Le Fresnoy, in Lille, France.
His works have been presented at Tate Modern in London, Centre Pompidou in Paris, Palazzo delle Esposizioni in Rome, Le Lieu Unique in Nantes, PS-1 in New York, MUDAM in Luxembourg, MAK in Vienna, Palazzo Grassi in Venice, Art Gallery of New South Wales in Australia, KW Institute for Contemporary Art in Berlin, STRP Biennale in Eindhoven, and on countless festivals including Unsound, CTM, MUTEK, Sonar and New Forms Festival.
Links
Official Website
